Many of the well-known stringed instruments of today originate from the Rudra Vina. In the northern Indian tradition it was regarded as the noblest solo instrument for centuries. Playing technique and repertoire, as well as the art of manufacturing, were carefully kept family secrets. Because of the very exclusive character of the Rudra Vina, because of its difficult playing technique and its very low, highly introvert sound character, it is almost extinct nowadays.

The Rudra-Vina has a long wooden resonance tube. This carries a bridge, frets and pegs. Attached to the tube are two large pumpkin resonators that serve as sound amplifiers. One of the resonators is put on the left shoulder in the traditional playing posture. The player holds the tube diagonally in front of him and sits between the two pumpkins. The four playing strings are fingered and pulled sideways as with the Sitar. They are plucked with alternating strokes of right index and middle finger. Both these fingers have a wire pick. The Rudra-Vina does not have any sympathetic strings.

Possibly a good Rudra Vina will be available in the future in collaboration with a Rudra Vina player. When this happens, it will be announced here.